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By J. D. Finch, on 06-08-2007 21:11

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Published in : OW! Site Content, The Naked Opinion



The following piece comes from an anonymous group of writers who believe their "battle cry for the counterculture" should belong to all who consider themselves outsiders. If you find their message to be inline with your own feelings about corporate influence over the lit world you might disseminate their Manifesto via emails, bulletins and message boards. You might even print it and post it in your town. After all, if you're a writer claiming authorship you should be claiming ownership as well. Nuff said. Pass it on.                                                                                                                       JDF



Manifesto

The counterculture is shattered. A movement that once screamed against the torpor of our time-fettered society is in shards, each fragment reflecting only the petty needs of its adherents. Whether an acolyte of one of the kaleidoscope of self-obsessed musical and literary subcultures, an obsessive over some futile political cause or worse a soul lost to those games and worlds existing only in the circuits of counting machines, we are the heirs of those with grander visions, and their shades regard us with scorn...

Those dwellers of high halls that profit from our continued acceptance of the worksheep ethic are pleased: a splintered counterculture leaves them unchallenged, no voice against us squandering our days to gild their cages further. Any hint of resistance and they spew out songs from tame alternative bands, songs that speak of loneliness and shuttered rebellion. Pacification accomplished; nothing deadens like corporate nihilism. It is clear: the counterculture is broken, and it is broken because it is corrupted. Our only chance of liberty is to mend it and to do that we must look back, and heed the lessons of our wild free forebears. First the Transcendentalists of the nineteenth century and then the Beats of the fifties rejected the constraints of their times and took another, more perilous path: not only did they enter the wilderness, seeking existence away from the distractions of society, but they also sought knowledge. Their exploration was inner as well as outer. Unfortunately the Fall would come before the Beats attained enlightenment: they were swept up in the chaos of the sixties. Counterculture decayed, sliding from a flame-eyed band of literary ascetics, men and women that knew the road to true understanding was hard and long, into a hydra-headed youth movement, seeking escape and instant answers, its music already infected by the corporate world it professed to reject. If we are to forge a new counterculture we must reject this slide into factionalism, and follow the example of Thoreau and Emerson, of Ginsberg, Kerouac and Burroughs. We must reject the illusory choices our society forces on us, and strike out on our own quest to experience existence in its rawest, purest form. It will not be easy. The life of the outlaw artist, the outlaw writer disturbs loved ones and invites assault from right and left: honesty infuriates both sides of the political divide. Despite this, our first steps should not be without hope. We are forewarned that the drug-fixated and cultish short-cuts of the sixties lead only to dead ends, and know that though solitude is occasionally necessary Thoreau was never alone for too long in Walden, and even the archetypal outlaw writer, Burroughs, felt drawn to those of like mind. Indeed, this is the lesson to take from the Transcendentalists and the Beats: though comprised of individuals on their own paths to enlightenment, they came together and collaborated to telling effect on their generations and those after. We must be the same: though we draw apart from the petty lives of our peers, it will not be lonely. We will find those like us, and in the end will travel the road together. Looking beyond the shards, we see something deeper, something higher, something enduring. The spirit of creativity still smoulders in the cities and the suburbs, and our recapturing of the spirit of those glorious pioneers will set it alight. We will form the nucleus of a reborn counterculture, no longer shattered, and stand as a beacon to those seeking escape from their groundhog lives. A new movement is forming: can we afford to stand aside? Of course not. We must be at its centre, driving it with the wisdom we will gain. The knowledge we reveal will enlighten the world.




Last update : 06-08-2007 21:17

   
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By: DB Cox (Guest) on 06-08-2007 23:15

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By: DB Cox (Guest IP 75.138.60.240) on 06-08-2007 23:15

A pertinent question about this manifesto might be: Where is the clear line between the so-called “outlaws” (an unfortunate label that only seems to further promote factionalism) and the hard-to-define, nebulous “academics”. 
 
One thing that differentiated the avant-garde from the mainstream in the old days was that the regular publishers wouldn’t publish non-conformist writers, and they were more or less a small group. Now you have a situation where a writer as exotic as Donald Barthelme gets published right from the beginning of his career in places like New Yorker Magazine. And the New Yorker is also hospitable to writers like Borges and Gabriel Garcia Márquez.  
 
If the notion of “avant-garde” (or fill in the romantic/outsider label of choice) art means anything, it is defined by its hostility to accepted artistic standards and values. The very success of Publishers such as Grove Press in selling “The Beats” (another meaningless label) hastened the decline of the “avant-garde” by broadening the audience for, and hence increasing the tolerance of, nontraditional art, absorbing it into the tradition, blurring the distinctions between the established literary standard and the works of the counterculture. Another words, the elements of the Beat Generation were absorbed into the mainstream.  
 
The avant-garde has always represented rebellion against convention. As rebelliousness has become more and more commonplace, as conformity has been replaced with more open and unconventional lifestyles (from “the beats” to “the hippies” to “the punks”… etc.), the stark contrast that existed between the outsiders and the insiders has faded to the point of insignificance. 
 
In my opinion, this section of the manifesto speaks in the clearest and most concise voice:  
 
“We will find those like us, and in the end will travel the road together. Looking beyond the shards, we see something deeper, something higher, something enduring. We will find those like us, and in the end will travel the road together. Looking beyond the shards, we see something deeper, something higher, something enduring.” 
 
On the Road with “those like us” looking beyond the shards for something deeper, something higher, something enduring. Factionless—poets all…  
 
hopeless rainmakers 
launching strange songs 
into bone-white skies 
common tones 
painted with 
smoke & thunder 
voodoo illusions 
lost in heat-layered 
streets of confusion 
shadow shakers 
dancing naked 
in that empty space 
between savage 
& savior— 
wild dogs 
howling at the door 
of the madhouse

 

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By: Carter Jefferson (Guest) on 07-08-2007 17:21

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By: Carter Jefferson (Guest IP 67.101.123.80) on 07-08-2007 17:21

I couldn't agree more with your sentiments, but I'm so old I've learned one thing: Whatever you want people to know you have get over in a very short sound bite. This is *way* too long. Cut it by two-thirds and maybe people will listen. Maybe. Or dream up a five-word slogan to lead into it. Remember "Workers of the World Unite!"  
 
Best of luck!

 

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By: David Blaine (Registered) on 08-08-2007 04:41

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By: David Blaine (Registered IP 207.69.137.11) on 08-08-2007 04:41

While reading this, while thinking back over a timeline that began before my own birth, while contemplating the past attempts and past failures of previous outsiders, it seems that we are all destined, damned perhaps, to turn into our parents. Of course, some of us may have had great parents. We can only hope.

 

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By: J Tyrer (Guest) on 08-08-2007 09:44

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By: J Tyrer (Guest IP 208.221.166.2) on 08-08-2007 09:44

I am uncertain whether the difficulty is ignorance or philosophical inconsistency, but one should know one\\\'s history if one is to start a movement. Apparently you do not. 
 
You state: Quote
If we are to forge a new counterculture we must reject this slide into factionalism, and follow the example of Thoreau and Emerson, of Ginsberg, Kerouac and Burroughs.
 
 
You then state: Quote
We are forewarned that the drug-fixated and cultish short-cuts of the sixties lead only to dead ends
 
 
Ginsberg, Burroughs, and Kerouac were immersed in the drug culture. It is impossible to emulate them without being equally immersed in the drug culture.

 

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By: Dave (Guest) on 08-08-2007 10:54

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By: Dave (Guest IP 76.226.76.181) on 08-08-2007 10:54

I think it is possible to emulate someone's good charateristics without embracing their character flaws. We are surely creative enough to come up with entirely new character flaws of our own!

 

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By: R. W. Watkins (Guest) on 08-08-2007 18:10

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By: R. W. Watkins (Guest IP 142.162.80.55) on 08-08-2007 18:10

It is quite fine to produce a manifesto, but first one must have a public educated and attentive enough to comprehend it. I'm willing to bet that AT LEAST 80 percent of the English-speaking population under 45 would not have the attention span and/or reading skills to even get through the first few lines of this little rant.  
 
Oh!--one other thing--Who's going to explain to them who Emerson, Kerouac, Burroughs, etc. are? Has anyone thought about that? Some of you out there must enjoy 'belling the cat'--I have met university students in recent years who have not even heard of The Doors, Jimi Hendrix and The Rolling Stones!

 

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By: David Blaine (Registered) on 09-08-2007 04:36

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By: David Blaine (Registered IP 207.69.137.29) on 09-08-2007 04:36

RW, yes, I think most of the younger generation believe that The Doors, Jimi Hendrix and Che Guevara are companies that produce T Shirts.

 

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By: Dylan L. (Guest) on 09-08-2007 08:18

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By: Dylan L. (Guest IP 82.38.225.166) on 09-08-2007 08:18

Quote
 
I am uncertain whether the difficulty is ignorance or philosophical inconsistency, but one should know one\\\'s history if one is to start a movement. Apparently you do not...  
 
Ginsberg, Burroughs, and Kerouac were immersed in the drug culture. It is impossible to emulate them without being equally immersed in the drug culture. 
 
 
'ignorance'?.. 'philosophical inconsistency'?.. Well, in actuality the manifesto text stands up and you've just misinterpreted it. Besides you only need to read the first lines of Howl—by the founding father himself—to realise what's right... 
 
"I saw the best minds of my generation destroyed by madness, starving hysterical naked, 
dragging themselves through the negro streets at dawn looking for an angry fix..."

 

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By: David Blaine (Registered) on 09-08-2007 09:44

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By: David Blaine (Registered IP 207.69.137.6) on 09-08-2007 09:44

Just a polite reminder that although I'm enjoying the back and forth at it's present tenor, please keep everything civil. I'd rather read what you think and why you feel the way you do than angry retorts. Thanks all.

 

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By: Dylan L. (Guest) on 09-08-2007 12:25

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By: Dylan L. (Guest IP 82.38.225.166) on 09-08-2007 12:25

You're right David, of course. It's a powerful bit of writing, this manifesto—with a quality of seeming more so each time I dig into it; as if it develops in the asides—for any impassioned fire-starting here...

 

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