Fran Upman exists and writes, and writes and exists, necessarily in one -- or both -- of those orders. Check out her impassioned opinion about writing and life, as well as her creative fiction at Fran's Writing Whatever , where this piece originally appeared in a slightly different form. (JDF)
Supposedly, a "commercial" fiction writer asked an "independent" bookstore for directions to a chain bookstore post-doing a signing at that independent bookstore. A commercial fiction writer did a signing at an independent bookstore. At an independent bookstore. Let me repeat that: at an independent bookstore. A commercial fiction writer did a signing at an independent bookstore. And the bookstore then complained that the commercial writer asked directions to a commercial bookstore.
Here's my advice to that independent bookstore and to many others: if you don't want to play second banana to the big bookstores, stop focusing on commercial writers and start focusing on "noncommercial" writers, stop giving so much attention to the writers who are ALREADY getting attention in many commercial outlets, and start giving a lot more attention and more prominent shelf-space and more big signings to the lesser-known writers.
Bookselling business models that rely on bookstores calling themselves "independent" but also rely on carrying and promoting mostly the same damn books from major publishers as the chain bookstores--those are shitty business models. Do you get it yet? How many of you have to close up shop before you see what I think the biggest fucking problem likely is? Many people will just go to the commercial bookstores to pick up those commercial titles, and it seems they have been when I consider your complaints of shitty sales and lack of solvency. Books are more likely to be discounted at chain stores, so why the hell would many people shop for them at independents where they might have to pay more? You, independents, should primarily be offering something else that the big places don't offer, or at least should be emphasizing something else.
You are probably also less important to many commercial writers because the majority of their sales are probably coming from more commercial outlets. And one of you is ticked off when a commercial writer asks directions to the large bookstores? Huh? What the fuck do you expect?
To me this isn't rocket science; it's common sense.
If I get the money someday, I'm opening a bookstore (and don't think I haven't already thought of starting one to address this stupidity, because I have). And the front of that bookstore will contain lesser-known books by lesser-known writers, both new and old, and the majority will probably be published by smaller independent presses; the middle of the store will contain the classics; and the back may contain some of the more commercial bestseller-type books, for the customers who sometimes ask for this stuff even in independent bookstores. I'm not against carrying ANY commercial bookstock; I read some commercial books too. I am against the EMPHASIS on mostly the same damn books and writers at most bookstores, whether large or small, chain or independent, offline or online. Though online ones usually offer a wider variety, they just don't always push the outliers, they tend to keep the same-old same-old in the marketing-wise spotlight.
Fran Upman Fran's Writing Whatever Last update : 03-06-2007 20:19
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By: Pat King (Guest) on 03-06-2007 21:32